{"id":7390,"date":"2026-01-20T16:47:38","date_gmt":"2026-01-20T15:47:38","guid":{"rendered":"https:\/\/www.letsgocompany.com\/?p=7390"},"modified":"2026-01-22T10:27:15","modified_gmt":"2026-01-22T09:27:15","slug":"tim-burton-asap-rocky-dont-be-dumb-expresionismo-urbano","status":"publish","type":"post","link":"https:\/\/www.letsgocompany.com\/es\/tim-burton-asap-rocky-dont-be-dumb-expresionismo-urbano\/","title":{"rendered":"Tim Burton x A$AP Rocky. Del expresionismo alem\u00e1n al futurismo de gueto"},"content":{"rendered":"<h3 style=\"text-align: left;\">C\u00f3mo A$AP Rocky convierte la est\u00e9tica de Tim Burton en un lenguaje urbano, pol\u00e9mico y contempor\u00e1neo.<\/h3>\n<p>&nbsp;<\/p>\n<p style=\"text-align: left;\">Ha llegado el momento definitivo de eliminar los estigmas del rap y mirar m\u00e1s all\u00e1 de los clich\u00e9s: <strong>A$AP Rocky<\/strong> no solo regresa con <a href=\"https:\/\/open.spotify.com\/intl-es\/album\/4itKk52E9ZCdWUQcFAkud9?si=kRfKezanTdyIl75Bvlvsog\"><em>Don\u2019t Be Dumb<\/em><\/a>, sino que despliega un universo complejo de significaciones que desaf\u00eda toda expectativa en torno a su esperado \u00e1lbum. La colaboraci\u00f3n con <span style=\"color: #ebcd57;\"><a style=\"color: #ebcd57;\" href=\"https:\/\/www.letsgocompany.com\/es\/tim-burton-laberinto-poetica-extrano\/\"><strong>Tim Burton<\/strong><\/a><\/span>, junto con la participaci\u00f3n de <strong>Winona Ryder <\/strong>y <strong>Danny Elfman<\/strong>, eleva su m\u00fasica y lo sit\u00faa en un punto natural de evoluci\u00f3n dentro de su carrera. La obra se convierte as\u00ed en un manifiesto visual y sonoro donde el expresionismo urbano, la fragmentaci\u00f3n de la identidad y la vigilancia abstracta convergen en una l\u00f3gica sorprendentemente org\u00e1nica.<\/p>\n<p style=\"text-align: left;\">La colaboraci\u00f3n parece, a primera vista, un choque de mundos: el rapero de Harlem y el director g\u00f3tico contempor\u00e1neo por excelencia. Ahora bien, si ambos trabajan en y con los m\u00e1rgenes culturales de la sociedad\u2026 \u00bfes realmente extra\u00f1a su colaboraci\u00f3n? Una vez superado el shock inicial, entendemos que hay un hilo conductor a lo largo del proyecto: un <strong>expresionismo urbano y futurista <\/strong>\u2014como lo comprende Rocky\u2014, donde el caos de la ciudad y la fragmentaci\u00f3n del yo funcionan con la misma l\u00f3gica interna que ha definido ambos universos desde hace d\u00e9cadas.<\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/4itKk52E9ZCdWUQcFAkud9?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-testid=\"embed-iframe\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<h4 style=\"text-align: left;\"><strong>El origen de lo com\u00fan<\/strong><\/h4>\n<p style=\"text-align: left;\">Rocky no ve a Burton solo como un cineasta exc\u00e9ntrico, sino como la encarnaci\u00f3n contempor\u00e1nea del expresionismo alem\u00e1n: mundos deformados, emociones amplificadas, la ciudad y sus instituciones como proyecci\u00f3n de estados mentales. Desde peque\u00f1o, esa est\u00e9tica fascin\u00f3 a Rocky; hoy, con <em>Don\u2019t Be Dumb<\/em>, la lleva al presente m\u00e1s urbano, construyendo un \u00abexpresionismo de gueto\u00bb, un futurismo que respira el caos, donde los alter egos, los helic\u00f3pteros y las fuerzas de control urbano funcionan como s\u00edmbolos de vigilancia, presi\u00f3n y resistencia.<\/p>\n<p>&nbsp;<\/p>\n<h4 style=\"text-align: left;\"><strong>El lenguaje visual de Burton en <em>Don\u2019t Be Dumb<\/em><\/strong><\/h4>\n<p style=\"text-align: left;\"><em>Don\u2019t Be Dumb<\/em> ha llegado acompa\u00f1ado de im\u00e1genes, personajes y episodios que extienden su mundo m\u00e1s all\u00e1 de la m\u00fasica. La portada, dise\u00f1ada por Burton, funciona como un cuaderno de bocetos animado. Encarnan fragmentaciones de la identidad: <em>GR1M, MR. MAYERS, RUGAHAND, BABUSHKA BOI, DUMMY y SHIRTHEAD<\/em> representan diferentes facetas del rapero, reflejando su constante desdoblamiento \u2014el <em>fashion icon<\/em>, el provocador, el artista introspectivo\u2014 y al mismo tiempo dialogan con la sensibilidad burtoniana. Burton no invade ni reinterpreta a Rocky; lo traduce a su idioma visual, amplificando lo que ya estaba presente en el imaginario del rapero.<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-7426 size-full\" src=\"https:\/\/www.letsgocompany.com\/wp-content\/uploads\/2026\/01\/LG-BLOG_ALTER-EGO_1440x460.png\" alt=\"\" width=\"1440\" height=\"460\" srcset=\"https:\/\/www.letsgocompany.com\/wp-content\/uploads\/2026\/01\/LG-BLOG_ALTER-EGO_1440x460.png 1440w, https:\/\/www.letsgocompany.com\/wp-content\/uploads\/2026\/01\/LG-BLOG_ALTER-EGO_1440x460-1280x409.png 1280w, https:\/\/www.letsgocompany.com\/wp-content\/uploads\/2026\/01\/LG-BLOG_ALTER-EGO_1440x460-980x313.png 980w, https:\/\/www.letsgocompany.com\/wp-content\/uploads\/2026\/01\/LG-BLOG_ALTER-EGO_1440x460-480x153.png 480w\" sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) and (max-width: 980px) 980px, (min-width: 981px) and (max-width: 1280px) 1280px, (min-width: 1281px) 1440px, 100vw\" \/><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: left;\">Esta l\u00f3gica visual se despliega en los v\u00eddeos, comenzando con <em>Whiskey \/ Black Demarco.<\/em> La pieza abre con una voz en <em>off<\/em> que sit\u00faa la noche previa al lanzamiento del \u00e1lbum, Burton es presentado en un bar como \u00aba man with a sketchbook\u2026 not ordinary by far\u00bb, y se queda dormido mientras sus bocetos corren sueltos por la ciudad. Sus dibujos generan caos: del bar al metro, hasta abarcar toda la ciudad de Nueva York. Cuando despierta y sale del bar, mira un vinilo gigante: primero ve \u00abC.O.R.P.\u00bb tachado, s\u00edmbolo de control y sistema; luego, al quitarse las gafas, donde estaba C.O.R.P. aparece <em>Don\u2019t Be Dumb<\/em> con la portada que incluye sus dibujos. El gesto visual no es solo est\u00e9tico, sino conceptual: la obra ha nacido de su propia l\u00f3gica interna.<\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/b9JBRhV73cQ?si=SAN6eo1dSMGjTCEQ\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h4><\/h4>\n<h4 style=\"text-align: left;\"><strong><em>Leitmotifs<\/em><\/strong><strong> visuales<\/strong><\/h4>\n<p style=\"text-align: left;\">Con los v\u00eddeos de <em>Punk Rocky<\/em> y <em>Helicopter$<\/em>, el universo del \u00e1lbum se ampl\u00eda: la presencia de helic\u00f3pteros, polic\u00edas, alter egos y s\u00edmbolos de autoridad abstracta se repite como un <em>leitmotif<\/em>. Cada clip funciona como fragmento de un mismo sistema. Winona Ryder encarna la memoria emocional del mundo burtoniano, evocando esa familiaridad inquietante de sus cl\u00e1sicas protagonistas; Danny Elfman, quien ha acompa\u00f1ado musicalmente las obras de Burton, aporta capas orquestales experimentales que tensan la atm\u00f3sfera; y Rocky permanece como hilo estable, interpretando a sus m\u00faltiples yos en un entorno vigilado y fragmentado. La insistencia de estos elementos refuerza la sensaci\u00f3n de mundo cohesionado, la construcci\u00f3n del futurismo de gueto, absurdo y coherente a la vez.<\/p>\n<p>&nbsp;<\/p>\n<h4 style=\"text-align: left;\"><strong>Del legado al riesgo: la mutaci\u00f3n sonora de <em>Don\u2019t Be Dumb<\/em><\/strong><\/h4>\n<p style=\"text-align: left;\"><em>Don\u2019t Be Dumb<\/em> se mueve en un terreno de transici\u00f3n consciente. El \u00e1lbum parte de c\u00f3digos reconocibles en la trayectoria de A$AP Rocky \u2014<em>flows<\/em> precisos, referencias al lujo, la pose ic\u00f3nica\u2014, pero los somete a un proceso de deformaci\u00f3n progresiva. A medida que avanza, el disco se desplaza hacia estructuras menos evidentes, <em>beats<\/em> fragmentados y atm\u00f3sferas m\u00e1s tensas.<\/p>\n<p style=\"text-align: left;\">Ese movimiento de lo familiar a lo experimental funciona como traducci\u00f3n sonora del expresionismo urbano que atraviesa el proyecto: la forma se deforma para expresar un estado mental. Aqu\u00ed, la experimentaci\u00f3n no busca ruptura radical, sino fricci\u00f3n: el reconocimiento inicial permite que el extra\u00f1amiento posterior sea m\u00e1s efectivo.<\/p>\n<p style=\"text-align: left;\">Rocky no abandona su identidad, la multiplica. El resultado no es un disco que se aleje de su legado, sino uno que lo empuja hacia un territorio m\u00e1s inestable, m\u00e1s abstracto y, precisamente por ello, m\u00e1s coherente con el mundo que <em>Don\u2019t Be Dumb<\/em> construye.<\/p>\n<p style=\"text-align: left;\">El \u00e1lbum se sostiene sobre una constelaci\u00f3n de productores que refuerzan y expanden su universo sonoro. Entre los nombres m\u00e1s relevantes est\u00e1n <strong>Pharrell Williams<\/strong>, <strong>Metro Boomin<\/strong>, <strong>Madlib<\/strong>, <strong>The Alchemist<\/strong> y <strong>Mike Dean<\/strong>, cada uno con una impronta distintiva que va desde el <em>groove<\/em> cl\u00e1sico hasta lo experimental y textural, acompa\u00f1ando a Rocky en esa transici\u00f3n desde lo reconocible hacia territorios m\u00e1s audaces.<\/p>\n<p>&nbsp;<\/p>\n<blockquote class=\"instagram-media\" style=\"background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);\" data-instgrm-captioned=\"\" data-instgrm-permalink=\"https:\/\/www.instagram.com\/p\/DTjygckjBqw\/?utm_source=ig_embed&amp;utm_campaign=loading\" data-instgrm-version=\"14\">\n<div style=\"padding: 16px;\">\n<p>&nbsp;<\/p>\n<div style=\"display: flex; flex-direction: row; align-items: center;\">\n<div style=\"background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;\"><\/div>\n<div style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center;\">\n<div style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;\"><\/div>\n<div style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;\"><\/div>\n<\/div>\n<\/div>\n<div style=\"padding: 19% 0;\"><\/div>\n<div style=\"display: block; height: 50px; margin: 0 auto 12px; width: 50px;\"><\/div>\n<div style=\"padding-top: 8px;\">\n<div style=\"color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;\">Ver esta publicaci\u00f3n en Instagram<\/div>\n<\/div>\n<div style=\"padding: 12.5% 0;\"><\/div>\n<div style=\"display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;\">\n<div>\n<div style=\"background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);\"><\/div>\n<div style=\"background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;\"><\/div>\n<div style=\"background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);\"><\/div>\n<\/div>\n<div style=\"margin-left: 8px;\">\n<div style=\"background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"><\/div>\n<div style=\"width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);\"><\/div>\n<\/div>\n<div style=\"margin-left: auto;\">\n<div style=\"width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"><\/div>\n<div style=\"background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"><\/div>\n<div style=\"width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"><\/div>\n<\/div>\n<\/div>\n<div style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\">\n<div style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"><\/div>\n<div style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"><\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<p style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;\"><a style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;\" href=\"https:\/\/www.instagram.com\/p\/DTjygckjBqw\/?utm_source=ig_embed&amp;utm_campaign=loading\" target=\"_blank\" rel=\"noopener\">Una publicaci\u00f3n compartida de A$AP ROCKY (@asaprocky)<\/a><\/p>\n<\/div>\n<\/blockquote>\n<p><script async src=\"\/\/www.instagram.com\/embed.js\"><\/script><\/p>\n<h4 style=\"text-align: left;\"><strong>La cristalizaci\u00f3n de un imaginario compartido<\/strong><\/h4>\n<p style=\"text-align: left;\"><em>Don\u2019t Be Dumb<\/em> no es solo el regreso discogr\u00e1fico de A$AP Rocky tras a\u00f1os de silencio, sino la cristalizaci\u00f3n de una obsesi\u00f3n de infancia: el expresionismo \u2014reinterpretado como un <strong>expresionismo urbano, de gueto, futurista<\/strong>\u2014 donde la colaboraci\u00f3n con Tim Burton resulta, cuanto menos, inevitable. A trav\u00e9s de los v\u00eddeos, Rocky construye un universo contestatario, vigilado y fragmentado, donde la extra\u00f1eza es el lenguaje base.<\/p>\n<p style=\"text-align: left;\">Burton sigue siendo el maestro del cine g\u00f3tico contempor\u00e1neo, capaz de construir mundos reconocibles y obsesivamente coherentes; Rocky, por su parte, es un referente del rap de Harlem, con influencia global en moda, cultura y sonido urbano. Al unir sus fuerzas, no pierden su identidad ni su autoridad en sus respectivos nichos; al contrario, se amplifican mutuamente. La fusi\u00f3n de ambos universos genera un espacio h\u00edbrido donde la extra\u00f1eza y la coherencia no compiten, sino que se potencian, haciendo que <em>Don\u2019t Be Dumb<\/em> sea un proyecto \u00fanico que dialoga tanto con la audiencia del rap como con los seguidores del imaginario burtoniano.<\/p>\n<p>&nbsp;<\/p>\n<blockquote class=\"instagram-media\" style=\"background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);\" data-instgrm-captioned=\"\" data-instgrm-permalink=\"https:\/\/www.instagram.com\/p\/DSW3QguiJu1\/?utm_source=ig_embed&amp;utm_campaign=loading\" data-instgrm-version=\"14\">\n<div style=\"padding: 16px;\">\n<p>&nbsp;<\/p>\n<div style=\"display: flex; flex-direction: row; align-items: center;\">\n<div style=\"background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;\"><\/div>\n<div style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center;\">\n<div style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;\"><\/div>\n<div style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;\"><\/div>\n<\/div>\n<\/div>\n<div style=\"padding: 19% 0;\"><\/div>\n<div style=\"display: block; height: 50px; margin: 0 auto 12px; width: 50px;\"><\/div>\n<div style=\"padding-top: 8px;\">\n<div style=\"color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;\">Ver esta publicaci\u00f3n en Instagram<\/div>\n<\/div>\n<div style=\"padding: 12.5% 0;\"><\/div>\n<div style=\"display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;\">\n<div>\n<div style=\"background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);\"><\/div>\n<div style=\"background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;\"><\/div>\n<div style=\"background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);\"><\/div>\n<\/div>\n<div style=\"margin-left: 8px;\">\n<div style=\"background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"><\/div>\n<div style=\"width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);\"><\/div>\n<\/div>\n<div style=\"margin-left: auto;\">\n<div style=\"width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"><\/div>\n<div style=\"background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"><\/div>\n<div style=\"width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"><\/div>\n<\/div>\n<\/div>\n<div style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\">\n<div style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"><\/div>\n<div style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"><\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<p style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;\"><a style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;\" href=\"https:\/\/www.instagram.com\/p\/DSW3QguiJu1\/?utm_source=ig_embed&amp;utm_campaign=loading\" target=\"_blank\" rel=\"noopener\">Una publicaci\u00f3n compartida de Tim Burton (@timburton)<\/a><\/p>\n<\/div>\n<\/blockquote>\n<p><script async src=\"\/\/www.instagram.com\/embed.js\"><\/script><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: right;\">Por La Pluma de LETSGO, Claudia P\u00e9rez Carbonell, a 22 de enero de 2026<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>C\u00f3mo A$AP Rocky convierte la est\u00e9tica de Tim Burton en un lenguaje urbano, pol\u00e9mico y contempor\u00e1neo. &nbsp; Ha llegado el momento definitivo de eliminar los estigmas del rap y mirar m\u00e1s all\u00e1 de los clich\u00e9s: A$AP Rocky no solo regresa con Don\u2019t Be Dumb, sino que despliega un universo complejo de significaciones que desaf\u00eda toda [&hellip;]<\/p>\n","protected":false},"author":12,"featured_media":7423,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"off","_et_pb_old_content":"<p>[et_pb_section][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text]<\/p><h3 style=\"text-align: left;\">We sat down with Valerio Tiberi to talk about creativity and technique in stage lighting.<\/h3><p>\u00a0<\/p><blockquote><p style=\"text-align: right;\">Theatre (\u2026) is the only place where you can rediscover darkness.<\/p><\/blockquote><p>\u00a0<\/p><p style=\"text-align: left;\">Valerio Tiberi is one of the most sought-after lighting designers in the European theatre scene. His professional range spans from opera productions in emblematic venues like the Op\u00e9ra Bastille in Paris and Teatro alla Scala in Milan, to international musicals such as <strong><a href=\"https:\/\/musicalelfantasmadelaopera.com\/\"><em>The Phantom of the Opera<\/em><\/a><\/strong>, <strong><a href=\"https:\/\/www.kitkatklubcabaret.com\/\"><em>Cabaret<\/em><\/a><\/strong>, or <em>West Side Story<\/em>; ballet (<em>A Thousand Tales<\/em>, <em>Alice in Wonderland<\/em>, etc.), and haute couture fashion shows for brands like Valentino and Dolce & Gabbana. He has received numerous awards, including the Italian Musical Oscar and Best Lighting Design.<\/p><p style=\"text-align: left;\">His work strikes a natural balance between technical precision and aesthetic sensitivity \u2014which is no small feat. In this interview, he opens up about his creative process, his reflections, and the challenges of lighting vastly different worlds: the theatre stage and the fashion runway.<\/p><p><img class=\"alignnone wp-image-5084 size-full\" src=\"https:\/\/www.letsgocompany.com\/wp-content\/uploads\/2025\/07\/LG-BLOG_ENTREVISTA-VALERIO.jpg\" alt=\"\" width=\"1440\" height=\"460\" \/><\/p><p>\u00a0<\/p><h4 style=\"text-align: left;\"><strong>The challenge of lighting a classic<\/strong><\/h4><p style=\"text-align: left;\">Tiberi recalls that his relationship with LETSGO dates back at least to 2016, when they produced <em>Dirty Dancing<\/em> in Spain for the first time:<\/p><blockquote><p style=\"text-align: left;\">I came with Federico Bellone; we were the original creative team. Since then, we\u2019ve done many productions [with LETSGO], but without a doubt, the most successful one is <em><strong><a href=\"https:\/\/www.letsgocompany.com\/es\/nuevo-destino-desbloqueado-aterrizamos-en-mexico-con-el-fantasma-de-la-opera\/\">The Phantom of the Opera<\/a><\/strong><\/em>.<\/p><\/blockquote><p style=\"text-align: left;\">Being part of the first Spanish-language production of one of the most successful musicals in history was a challenge in every sense. Tiberi remembers staging <em>Phantom<\/em> at Teatro Alb\u00e9niz as \u201ca very difficult project.\u201d This is where the intricacies of lighting design come into play, when theory meets the hard ground of practice:<\/p><blockquote><p style=\"text-align: left;\">The biggest challenge was finding the physical space to place the light. We can all come up with incredible ideas, but my job is to make them into reality.<\/p><\/blockquote><p><img class=\"alignnone wp-image-5090 size-full\" src=\"https:\/\/www.letsgocompany.com\/wp-content\/uploads\/2025\/07\/LG-BLOG_ENTREVISTA-VALERIO_2.jpg\" alt=\"\" width=\"1440\" height=\"460\" \/><\/p><p style=\"text-align: left;\">Lighting design by Valerio Tiberi for <em>The Phantom of the Opera<\/em> (Madrid production). Photo: LETSGO.<\/p><p>\u00a0<\/p><p style=\"text-align: left;\">It was one of those times when art has to come down to earth: adapting to budgets, technical layouts, timelines, and spatial limitations. Finding the perfect spot for the light, and projecting from there.<\/p><blockquote><p style=\"text-align: left;\">We used very powerful light sources that could do several things at once: specials, washes, effects. We worked a lot with light tilting to create depth, and we also used smoke, fire... fire is light, too, of course.<\/p><\/blockquote><p style=\"text-align: left;\">An artist\u2019s greatness often lies in their versatility. <strong><a href=\"https:\/\/www.letsgocompany.com\/es\/cabaret-llega-a-madrid-quien-se-atreve-a-bailar-mientras-el-mundo-se-rompe\/\"><em>Cabaret<\/em> <\/a><\/strong>is a whole different beast \u2014but naturally, Tiberi embraces the challenge:<\/p><blockquote><p style=\"text-align: left;\">In <em>Cabaret<\/em>, the approach is completely different. It\u2019s an immersive production and although we\u2019re still in the creative process, the challenge is once again the same: finding space for the lights. Only this time, the light is exposed. In <em>Phantom<\/em>, it was hidden. The audience didn\u2019t see it. In <em>Cabaret<\/em>, the lighting is part of the set. Everyone will see it.<\/p><\/blockquote><p>\u00a0<\/p><h4 style=\"text-align: left;\"><strong>Thinking like the audience<\/strong><\/h4><p style=\"text-align: left;\">Lighting design is not just a technical craft. How do you think about a show when you\u2019re a creative but can\u2019t lose sight of the surgical precision that light demands? Luckily, artistic environments are fertile ground for questioning and transformation.<\/p><p style=\"text-align: left;\">Tiberi is clear: the key is thinking like the audience. In the end, it all comes back to emotion and to human reaction:<\/p><blockquote><p style=\"text-align: left;\">There\u2019s no one rule. I adapt to each situation. For example, with <em>Cabaret<\/em>, I started from the tools: I knew I needed dynamic, effect-driven lighting. In <em>Phantom<\/em>, it was the opposite: storytelling was my starting point.<br \/>But in both cases, I try to keep an artistic mindset from the beginning. I like to think like the audience. The audience doesn\u2019t know if it was hard or easy to achieve an effect; they only know if it moved them. That\u2019s why I try to understand how the human mind reacts to light, to color, to stimuli. And that changes depending on the type of show, the city, the society. It\u2019s not just design: it\u2019s psychology.<\/p><\/blockquote><p><img class=\"alignnone wp-image-5099 size-full\" src=\"https:\/\/www.letsgocompany.com\/wp-content\/uploads\/2025\/07\/LG-BLOG_ENTREVISTA-VALERIO_4.jpg\" alt=\"\" width=\"1440\" height=\"460\" \/><\/p><p style=\"text-align: left;\">Custom Gobos used on <em>The Phantom of the Opera<\/em>. Courtesy of Valerio Tiberi.<\/p><h4>\u00a0<\/h4><p>\u00a0<\/p><h4 style=\"text-align: left;\"><strong>Rediscovering darkness<\/strong><\/h4><p style=\"text-align: left;\">Tiberi is fascinated by a deeply contemporary concern: in a world blinded by light (computers, phones...) we\u2019ve become unavailable to darkness. We live in a state of overexposure, often without even realizing it.<\/p><blockquote><p style=\"text-align: left;\">Theatre, like some exhibitions, is the only place where you can rediscover darkness. That\u2019s why I always start from the dark. And from there, I build layers. I begin with the black, then work on the amount of light: the white. And if needed, the colors come after. Contrast is essential. I\u2019m not just talking about aesthetics; I\u2019m talking about creating an intimate experience, something the audience doesn\u2019t find in their daily lives.<\/p><\/blockquote><p style=\"text-align: left;\"><em>\u201cRediscovering darkness (\u2026) an intimate experience.\u201d <\/em>To train the mind to appreciate privacy and reflective environments \u2014so often linked to solitude and twilight\u2014 has become a monumental act. In this sense, framing theatre as a space that revives our most primal thoughts and relationships isn\u2019t nostalgia: it\u2019s a new form of approach, born from our modern context.<\/p><p>\u00a0<\/p><h4 style=\"text-align: left;\"><strong>Can AI understand theatre?<\/strong><\/h4><p style=\"text-align: left;\">Another hallmark of our times: new technologies and the relationships we forge with them. Tiberi acknowledges that AI has helped him streamline tasks and compare ideas:<\/p><blockquote><p style=\"text-align: left;\">It\u2019s like a secretary: I feed it images, concepts, and ask it to try out atmospheres. But of course, AI doesn\u2019t know where to physically place a light in the theatre, or which type to use, or when. It helps optimize, expand your thinking, but not solve the essentials.<br \/>I mostly use it for dramaturgy. I create mental maps of the show, there, it\u2019s useful. But you need time. If you\u2019re working, you\u2019re working. Still, I think many professions could benefit from AI if used wisely.<\/p><\/blockquote><p style=\"text-align: left;\">Despite growing discussions about whether human creativity can be replaced by algorithms, Tiberi reminds us that some things can\u2019t be substituted. Asked about a moment where lighting was crucial to solving a dramaturgical challenge, he shares:<\/p><blockquote><p style=\"text-align: left;\">In <a href=\"https:\/\/www.houdinielmusical.com\/\"><strong><em>Houdini<\/em><\/strong><\/a>, in Italy, one of the last scenes was very hard to resolve. We talked for weeks about how to stage it\u2026 and in the end, I did something very simple in the theatre and it worked. Sometimes we overthink things, and the solution is in the simplest move.<\/p><\/blockquote><p><img class=\"alignnone wp-image-5096 size-full\" src=\"https:\/\/www.letsgocompany.com\/wp-content\/uploads\/2025\/07\/LG-BLOG_ENTREVISTA-VALERIO_4-2.jpg\" alt=\"\" width=\"1440\" height=\"460\" \/><\/p><p style=\"text-align: left;\">Lighting design by Valerio Tiberi for <strong><em><a href=\"https:\/\/www.letsgocompany.com\/es\/houdini-un-musical-magico-mas-alla-del-mito-y-la-cancion\/\">Houdini<\/a> <\/em><\/strong>(Italy production).<\/p><p>\u00a0<\/p><h4 style=\"text-align: left;\"><strong>Being a designer today: the power of active experience<\/strong><\/h4><p style=\"text-align: left;\">In a world where instinct and hands-on experience make all the difference, Tiberi knows exactly what he\u2019d tell a young lighting designer starting out:<\/p><blockquote><p style=\"text-align: left;\">Nowadays, with all the tech out there, it\u2019s easy to reach an average level. But getting to the top is harder than ever. The key is real experience. You need to be in the theatre, live the space, rehearse, test. Be there at least 300 days a year. And travel. See shows, museums, exhibitions. Not just modern ones, classics too. Go to the Louvre, to MoMA\u2026 Start from what\u2019s tangible. Don\u2019t stay in one country, or one style.<\/p><\/blockquote><p style=\"text-align: left;\">On his experience teaching at the Accademia Teatro alla Scala, he adds:<\/p><blockquote><p style=\"text-align: left;\">I don\u2019t want to be a traditional professor. I want to speak from experience, what\u2019s worked and what hasn\u2019t. I try to involve my students directly in the theatre. That\u2019s where real learning happens.<\/p><\/blockquote><p><img class=\"alignnone wp-image-5102 size-full\" src=\"https:\/\/www.letsgocompany.com\/wp-content\/uploads\/2025\/07\/LG-BLOG_ENTREVISTA-VALERIO_6.jpg\" alt=\"\" width=\"1440\" height=\"460\" \/><\/p><p style=\"text-align: left;\">Color List used for the lighting design (left) and Designer\u2019s magic sheet (right), both used on <em>The Phantom of the Opera<\/em>. Courtesy of Valerio Tiberi.<\/p><p>\u00a0<\/p><h4 style=\"text-align: left;\"><strong>Fashion vs. Theatre: two worlds, two timeframes<\/strong><\/h4><p style=\"text-align: left;\">As mentioned earlier, Tiberi\u2019s work isn\u2019t limited to the stage or the classroom. He\u2019s also designed lighting for fashion shows, where atmosphere and storytelling \u2014when present\u2014 play a secondary role. But where does the real difference lie between stage and runway?<\/p><blockquote><p style=\"text-align: left;\">It\u2019s all about timing. In fashion, preproduction is long, but setup takes just two or three days. And the show lasts, at most, twenty minutes. In that time, you run seven or eight cues: the intro, models entering, the runway, the finale, the exit.<br \/>It may not sound like much, but it\u2019s a massive job, with last-minute changes, contradictory decisions\u2026 sometimes the day before.<br \/>Above all, it\u2019s about the clothes. You need to light the garments with natural-looking light, without altering colors, minimizing shadows. The image must be clean, sharp. Sure, you work on the mood, but ultimately, it\u2019s about showcasing the clothes. It\u2019s about showing and selling.<br \/>And the goal is completely different from theatre. In a fashion show, what matters most is what ends up on Instagram. Lighting has to be tailored for smartphones, not for the human eye. And there\u2019s the live stream too, all the major brands do it now.<\/p><\/blockquote><p>\u00a0<\/p><h4 style=\"text-align: left;\"><strong>The emotional impact of light<\/strong><\/h4><p style=\"text-align: left;\">A profession that walks the line between creativity and technicality but that, above all, demands a sensibility centered on the audience. In this sense, theatre stands as a master at evoking the deepest emotions.<\/p><p><img class=\"alignnone wp-image-5087 size-full\" src=\"https:\/\/www.letsgocompany.com\/wp-content\/uploads\/2025\/07\/LG-BLOG_ENTREVISTA-VALERIO_1.jpg\" alt=\"\" width=\"1440\" height=\"460\" \/><\/p><p style=\"text-align: left;\">Lighting design by Valerio Tiberi for <em>Natura Encesa <\/em>(Barcelona production). Photo: LETSGO.<\/p><p style=\"text-align: left;\"><em>\u00a0<\/em><\/p><blockquote><p style=\"text-align: left;\">In musical theatre, the show comes together during previews, where you polish the details. The most emotional moment is the premiere, that\u2019s when you can finally sit back and enjoy. Opening night is when you let go and just watch.<\/p><\/blockquote><p style=\"text-align: left;\">The premiere is the first glimpse into the emotional impact a piece can have, not just on the audience, but on the team behind it. In September 2024, Valerio Tiberi returned to Madrid after nearly a year, not because of <em>Phantom<\/em>, but for unrelated reasons. Still, he went back to the Alb\u00e9niz to see the show again:<\/p><blockquote><p style=\"text-align: left;\">I was crying the whole time. After a year\u2026 it made me cry. When that happens, it\u2019s a good thing.<\/p><\/blockquote><p>\u00a0<\/p><p style=\"text-align: right;\"><span class=\"TextRun SCXW2194258 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW2194258 BCX0\">By<\/span><span class=\"NormalTextRun SCXW2194258 BCX0\"> The<\/span><span class=\"NormalTextRun SCXW2194258 BCX0\"> LETSGO<\/span><span class=\"NormalTextRun SCXW2194258 BCX0\"> Pen<\/span><span class=\"NormalTextRun SCXW2194258 BCX0\">,<\/span> <span class=\"NormalTextRun SCXW2194258 BCX0\">Claudia P\u00e9rez Carbonell,<\/span><span class=\"NormalTextRun SCXW2194258 BCX0\"> on <\/span><span class=\"NormalTextRun SCXW2194258 BCX0\">July 15th<\/span><span class=\"NormalTextRun SCXW2194258 BCX0\">, 2025<\/span><\/span><span class=\"EOP SCXW2194258 BCX0\" data-ccp-props=\"{\"335551550\":3,\"335551620\":3}\">\u00a0<\/span><\/p><p><span class=\"TextRun SCXW211959452 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW211959452 BCX0\">\u00a0<\/span><\/span><\/p><p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>","_et_gb_content_width":"","footnotes":""},"categories":[73],"tags":[],"class_list":["post-7390","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-behind-the-scenes-es"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Tim Burton x A$AP Rocky. 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