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Parte del equipo de LETSGO durante la premiere de Avatar: The Experience<\/strong> en Espacio Delicias.<\/p>\n <\/p>\n El pasado 26 de noviembre, Espacio Delicias<\/span><\/a> se convirti\u00f3 en la antesala de Pandora con la premier de Avatar: The Experience<\/em>. Inspirada en la galardonada obra maestra cinematogr\u00e1fica de James Cameron, esta esperad\u00edsima experiencia inmersiva \u2014que ya ha conquistado a m\u00e1s de 2,6 millones de visitantes<\/strong> en todo el mundo\u2014 llega por primera vez a Europa<\/strong> y aterriza en Madrid con un despliegue visual y tecnol\u00f3gico que da vida al universo de Avatar<\/em> de la manera m\u00e1s cercana posible.<\/p>\n <\/p>\n <\/p>\n Dise\u00f1ada con tecnolog\u00eda interactiva, animatr\u00f3nicos y un cuidado escenogr\u00e1fico de vanguardia, la experiencia invita a los visitantes a adentrarse en Pandora a trav\u00e9s de nueve zonas inmersivas<\/strong>. El recorrido comienza en el Centro de Bienvenida de la Fundaci\u00f3n de Investigaci\u00f3n Pandora<\/strong>, antes de avanzar hacia los bosques bioluminiscentes, el incre\u00edble \u00c1rbol de los Esp\u00edritus<\/strong> o los encuentros cercanos con los ic\u00f3nicos banshees<\/strong>. En el Pabell\u00f3n de Biotecnolog\u00eda RDA<\/strong>, la ciencia y la ficci\u00f3n se mezclan para mostrar c\u00f3mo ser\u00eda transformarse con rasgos Na\u2019vi. Una aventura apta para todas las edades, que combina entornos memorables con un mensaje profundo sobre el v\u00ednculo entre las personas y la naturaleza.<\/p>\n <\/p>\n <\/p>\n Detr\u00e1s de este despliegue visual hay tambi\u00e9n un trabajo creativo de largo recorrido. El equipo creativo de LETSGO \u2014encabezado por nuestra directora creativa Ana Mar\u00eda Voicu<\/strong>\u2014, ha desarrollado junto a Disney y NEON todo el material audiovisual y visual de la experiencia a nivel mundial. Gracias a la confianza de Disney, este proyecto ha podido trabajarse en equipo, dando forma a una propuesta inmersiva que traduce el universo de Avatar<\/em> a un lenguaje expositivo \u00fanico y sensorial.<\/p>\n <\/p>\n <\/p>\n La premier de la esperada experiencia comenz\u00f3 a las 17:00h con un photocall por el que pasaron actores, artistas, celebrities e influencers. Entre los invitados destacaron Javier C\u00e1mara, Pablo Meixe, Okuda San Miguel, Chelo, Desir\u00e9e Cervera, B\u00e1rbara Gant, Kino Jerez<\/strong> y Agoney<\/strong>, que posaron ante las c\u00e1maras y compartieron la expectaci\u00f3n por descubrir este nuevo viaje a Pandora.<\/p>\n Tras las fotos, los asistentes se adentraron en la experiencia, muchos acompa\u00f1ados de sus familias, sumergi\u00e9ndose en los mundos y paisajes que caracterizan el universo de Avatar<\/em>.\u00a0La jornada culmin\u00f3 en la carpa de restauraci\u00f3n del espacio, donde un catering ofreci\u00f3 el cierre perfecto para intercambiar impresiones, comentar momentos favoritos y brindar por la llegada de esta experiencia de tiempo limitado<\/strong> a Madrid.<\/p>\n <\/p>\n Pablo Meixe, Allan Cardoso, Ana Navarro, Agoney e invitados durante el photocall de la premier de Avatar: The Experience<\/strong> en Espacio Delicias.<\/p>\n <\/p>\n Albert Laro durante el photocall de la premier de Avatar: The Experience<\/strong> en Espacio Delicias.<\/p>\n <\/p>\n Cecilia Gessa durante el photocall de la premier de Avatar: The Experience<\/strong> en Espacio Delicias.<\/p>\n <\/p>\n Ruth Gabriel durante el photocall de la premier de Avatar: The Experience<\/strong> en Espacio Delicias.<\/p>\n <\/p>\n Tamara durante el photocall de la premier de Avatar: The Experience<\/strong> en Espacio Delicias.<\/p>\n <\/p>\n Javier C\u00e1mara durante el photocall de la premier de Avatar: The Experience<\/strong> en Espacio Delicias.<\/p>\n <\/p>\n De izq. a dcha: Marcos Chelo y Okuda San Miguel durante el photocall de la premier de Avatar: The Experience<\/strong> en Espacio Delicias.<\/p>\n <\/p>\n Carlota Corredera durante el photocall de la premier de Avatar: The Experience<\/strong> en Espacio Delicias.<\/p>\n <\/p>\n Como escenario, Espacio Delicias<\/strong> vuelve a demostrar por qu\u00e9 se ha convertido en el gran enclave madrile\u00f1o para las experiencias interactivas y el entretenimiento inmersivo. En los \u00faltimos a\u00f1os, este recinto ha acogido algunos de los proyectos m\u00e1s innovadores del panorama cultural, combinando grandes aforos, versatilidad t\u00e9cnica y una programaci\u00f3n que apuesta por formatos poco convencionales. Por sus naves han pasado producciones internacionales de primer nivel como Harry Potter\u2122: The Exhibition<\/em>, en colaboraci\u00f3n con Warner Bros., o El Juego del Calamar: The Experience<\/em><\/a><\/span>, junto a Netflix. Ahora contin\u00faa esta trayectoria con Jurassic World: The Experience<\/em><\/span><\/a>, ya abierta al p\u00fablico, y con la reci\u00e9n inaugurada Avatar: The Experience<\/em>. Adem\u00e1s, su programaci\u00f3n teatral ha incluido grandes t\u00edtulos como Charlie y la f\u00e1brica de chocolate<\/em>, Kinky Boots<\/em> o School of Rock<\/em>.<\/p>\n Su capacidad para transformarse \u2014de un musical a una exposici\u00f3n tecnol\u00f3gica o un evento XXL\u2014 lo ha consolidado como uno de los puntos m\u00e1s din\u00e1micos y reconocibles de la ciudad.<\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n Por La Pluma de LETSGO, Claudia P\u00e9rez Carbonell, a 3 de diciembre de 2025<\/p>\n <\/p>\n <\/p>\n \u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":" La experiencia inmersiva basada en el universo de James Cameron aterriza por primera vez en Europa con una premier repleta de rostros conocidos. Parte del equipo de LETSGO durante la premiere de Avatar: The Experience en Espacio Delicias. El pasado 26 de noviembre, Espacio Delicias se convirti\u00f3 en la antesala de Pandora con […]<\/p>\n","protected":false},"author":12,"featured_media":6965,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"off","_et_pb_old_content":" [et_pb_section][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text]<\/p> \u00a0<\/p> Theatre (\u2026) is the only place where you can rediscover darkness.<\/p><\/blockquote> \u00a0<\/p> Valerio Tiberi is one of the most sought-after lighting designers in the European theatre scene. His professional range spans from opera productions in emblematic venues like the Op\u00e9ra Bastille in Paris and Teatro alla Scala in Milan, to international musicals such as The Phantom of the Opera<\/em><\/a><\/strong>, Cabaret<\/em><\/a><\/strong>, or West Side Story<\/em>; ballet (A Thousand Tales<\/em>, Alice in Wonderland<\/em>, etc.), and haute couture fashion shows for brands like Valentino and Dolce & Gabbana. He has received numerous awards, including the Italian Musical Oscar and Best Lighting Design.<\/p> His work strikes a natural balance between technical precision and aesthetic sensitivity \u2014which is no small feat. In this interview, he opens up about his creative process, his reflections, and the challenges of lighting vastly different worlds: the theatre stage and the fashion runway.<\/p> \u00a0<\/p> Tiberi recalls that his relationship with LETSGO dates back at least to 2016, when they produced Dirty Dancing<\/em> in Spain for the first time:<\/p> I came with Federico Bellone; we were the original creative team. Since then, we\u2019ve done many productions [with LETSGO], but without a doubt, the most successful one is The Phantom of the Opera<\/a><\/strong><\/em>.<\/p><\/blockquote> Being part of the first Spanish-language production of one of the most successful musicals in history was a challenge in every sense. Tiberi remembers staging Phantom<\/em> at Teatro Alb\u00e9niz as \u201ca very difficult project.\u201d This is where the intricacies of lighting design come into play, when theory meets the hard ground of practice:<\/p> The biggest challenge was finding the physical space to place the light. We can all come up with incredible ideas, but my job is to make them into reality.<\/p><\/blockquote> Lighting design by Valerio Tiberi for The Phantom of the Opera<\/em> (Madrid production). Photo: LETSGO.<\/p> \u00a0<\/p> It was one of those times when art has to come down to earth: adapting to budgets, technical layouts, timelines, and spatial limitations. Finding the perfect spot for the light, and projecting from there.<\/p> We used very powerful light sources that could do several things at once: specials, washes, effects. We worked a lot with light tilting to create depth, and we also used smoke, fire... fire is light, too, of course.<\/p><\/blockquote> An artist\u2019s greatness often lies in their versatility. Cabaret<\/em> <\/a><\/strong>is a whole different beast \u2014but naturally, Tiberi embraces the challenge:<\/p> In Cabaret<\/em>, the approach is completely different. It\u2019s an immersive production and although we\u2019re still in the creative process, the challenge is once again the same: finding space for the lights. Only this time, the light is exposed. In Phantom<\/em>, it was hidden. The audience didn\u2019t see it. In Cabaret<\/em>, the lighting is part of the set. Everyone will see it.<\/p><\/blockquote> \u00a0<\/p> Lighting design is not just a technical craft. How do you think about a show when you\u2019re a creative but can\u2019t lose sight of the surgical precision that light demands? Luckily, artistic environments are fertile ground for questioning and transformation.<\/p> Tiberi is clear: the key is thinking like the audience. In the end, it all comes back to emotion and to human reaction:<\/p> There\u2019s no one rule. I adapt to each situation. For example, with Cabaret<\/em>, I started from the tools: I knew I needed dynamic, effect-driven lighting. In Phantom<\/em>, it was the opposite: storytelling was my starting point. Custom Gobos used on The Phantom of the Opera<\/em>. Courtesy of Valerio Tiberi.<\/p> \u00a0<\/p> Tiberi is fascinated by a deeply contemporary concern: in a world blinded by light (computers, phones...) we\u2019ve become unavailable to darkness. We live in a state of overexposure, often without even realizing it.<\/p> Theatre, like some exhibitions, is the only place where you can rediscover darkness. That\u2019s why I always start from the dark. And from there, I build layers. I begin with the black, then work on the amount of light: the white. And if needed, the colors come after. Contrast is essential. I\u2019m not just talking about aesthetics; I\u2019m talking about creating an intimate experience, something the audience doesn\u2019t find in their daily lives.<\/p><\/blockquote> \u201cRediscovering darkness (\u2026) an intimate experience.\u201d <\/em>To train the mind to appreciate privacy and reflective environments \u2014so often linked to solitude and twilight\u2014 has become a monumental act. In this sense, framing theatre as a space that revives our most primal thoughts and relationships isn\u2019t nostalgia: it\u2019s a new form of approach, born from our modern context.<\/p> \u00a0<\/p> Another hallmark of our times: new technologies and the relationships we forge with them. Tiberi acknowledges that AI has helped him streamline tasks and compare ideas:<\/p> It\u2019s like a secretary: I feed it images, concepts, and ask it to try out atmospheres. But of course, AI doesn\u2019t know where to physically place a light in the theatre, or which type to use, or when. It helps optimize, expand your thinking, but not solve the essentials. Despite growing discussions about whether human creativity can be replaced by algorithms, Tiberi reminds us that some things can\u2019t be substituted. Asked about a moment where lighting was crucial to solving a dramaturgical challenge, he shares:<\/p>![\"\"](\"https:\/\/www.letsgocompany.com\/wp-content\/uploads\/2025\/12\/5.png\")
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<\/p>\nEspacio Delicias, epicentro de las experiencias inmersivas en Madrid<\/strong><\/h4>\n
Un vistazo a las zonas inmersivas de Avatar: The Experience en Madrid<\/strong><\/h4>\n
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<\/p>\nWe sat down with Valerio Tiberi to talk about creativity and technique in stage lighting.<\/h3>
![\"\"](\"https:\/\/www.letsgocompany.com\/wp-content\/uploads\/2025\/07\/LG-BLOG_ENTREVISTA-VALERIO.jpg\")
<\/p>The challenge of lighting a classic<\/strong><\/h4>
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<\/p>Thinking like the audience<\/strong><\/h4>
But in both cases, I try to keep an artistic mindset from the beginning. I like to think like the audience. The audience doesn\u2019t know if it was hard or easy to achieve an effect; they only know if it moved them. That\u2019s why I try to understand how the human mind reacts to light, to color, to stimuli. And that changes depending on the type of show, the city, the society. It\u2019s not just design: it\u2019s psychology.<\/p><\/blockquote>![\"\"](\"https:\/\/www.letsgocompany.com\/wp-content\/uploads\/2025\/07\/LG-BLOG_ENTREVISTA-VALERIO_4.jpg\")
<\/p>\u00a0<\/h4>
Rediscovering darkness<\/strong><\/h4>
Can AI understand theatre?<\/strong><\/h4>
I mostly use it for dramaturgy. I create mental maps of the show, there, it\u2019s useful. But you need time. If you\u2019re working, you\u2019re working. Still, I think many professions could benefit from AI if used wisely.<\/p><\/blockquote>
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